By GINIA BELLAFANTE
Published: January 29, 2008
Published: January 29, 2008
The final moments of “One Tree Hill” last season raised questions, if not about the future of feminism, then certainly about feminism on teenage dramas on CW, the network that once offered a young Rory Gilmore with her Yale education and Martha Gellhorn journalistic dreams.
“One Tree Hill” ended in the spring with one of its lead characters, a sweet and well-intentioned grind named Haley, joyously going into labor in the middle of her valedictory speech at high school graduation, her 18-year-old husband bounding across the auditorium to catch her. You had to wonder how Haley had managed Advance Placement classes with morning sickness and who was going to call the National Organization for Women.
“One Tree Hill” ended in the spring with one of its lead characters, a sweet and well-intentioned grind named Haley, joyously going into labor in the middle of her valedictory speech at high school graduation, her 18-year-old husband bounding across the auditorium to catch her. You had to wonder how Haley had managed Advance Placement classes with morning sickness and who was going to call the National Organization for Women.
in The New York Times - Television
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